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As a suburban California kid, tended to treat hip-hop as a musical innovation, not as an explicit social protest, which goes a long way toward explaining why his debut album,, sounded like nothing else at the time of its release. Using hip-hop, not only its rhythms but its cut-and-paste techniques, as a foundation, created a deep, endlessly intriguing world on, one where there are no musical genres, only shifting sonic textures and styles. Created the entire album from samples, almost all pulled from obscure, forgotten vinyl, and the effect is that of a hazy, half-familiar dream -- parts of the record sound familiar, yet it's clear that it only suggests music you've heard before, and that the multi-layered samples and genres create something new.
DJ Shadow’s classic debut album. There are many slight design variations from country to country, but as usual, the superior and originally intended presentation is found on the Mo’ Wax UK versions.
And that's one of the keys to the success of: it's innovative, but it builds on a solid historical foundation, giving it a rich, multifaceted sound. It's not only a major breakthrough for hip-hop and electronica, but for pop music.
DJ Shadow is widely credited as a key figure in developing the experimental instrumental hip-hop style associated with the London-based label. Inspired by hip-hop’s early years, he then grew to absorb the heyday of crews like Eric B. & Rakim, Ultramagnetic MCs, and Public Enemy; groups which prominently featured DJs in their ranks. Josh “Shadow” Davis had already been experimenting with making beats and breaks on a four-track recorder while he was in high school in the Nor-Cal college town of Davis, but it was during university that he co-founded his own Solesides label as an outlet for his original tracks. Hooking up with Davis’ few b-boys (including eventual Solesides artists Blackalicious and Lyrics Born) through the college radio station, Shadow began releasing the Hip-Hop Reconstruction mix tapes in 1991, eventually catching the attention of The Source magazine and Dave Funkenklein. Shadow was featured in the magazine’s “Unsigned Hype” column in 1991, and Klein signed him to a production deal with Hollywood BASIC records. Concurrently, Shadow provided beats and scratches for Bay Area rapper Paris and was featured on his second album.
In 1993, Shadow pressed his 17-minute beat-head symphony “Entropy.” His tracks spread widely through the DJ-strong hip-hop underground, eventually reaching James Lavelle of Mo Wax. Shadow’s first full-length, “Endtroducing”, was released on the label in late 1996 to immense critical acclaim in Britain and America. “Preemptive Strike,” a compilation of early singles, followed in early 1998. Later that year, Shadow produced tracks for the debut album by U.N.K.L.E., a long-time Mo’ Wax production team that gained superstar guests including Thom Yorke (of Radiohead), Richard Ashcroft (of the Verve), Mike D (of the Beastie Boys), and others. His next project came in 1999, with the transformation of Solesides into a new label, Quannum Projects. Nearly six years after his debut production album, the proper follow-up, “The Private Press,” was released in June 2002. The following year Shadow released a mix album, “Diminishing Returns,” and in 2004 he released a live album and DVD, “Live!
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In Tune and on Time.” In 2006 he released another long awaited full-length album “The Outsider,” which featured rising Bay Area Hyphy rappers including Keak Da Sneak and E-40. “The Outsider” also featured a single with Q-Tip (of A Tribe Called Quest), which led to Shadow’s first appearance on The Late Show with David Letterman. Between 2007 and 2009 Shadow released three volumes of “The 4-Track Era Collection,” a series of his earliest recordings. The 4-Track Era project was exclusively available through his web store, ShopDjShadow.com. In the midst of all of these solo projects, DJ Shadow collaborated with fellow hip-hop DJ Cut Chemist.
Together they created a series of mixes that fused soul, funk, and rock, in the framework of a cohesive concept involving using only 45 rpm records (7 inches). These mixes include Brainfreeze, Product Placement, and The Hard Sell, which would be debuted at the Hollywood Bowl. Shadow’s website relaunched in August 2009, enabling him to sell digital downloads direct to his fans through his own autonomous storefront. 2009 also saw the announcement of Shadow’s involvement with DJ Hero, an Activision video game which features Shadow as a playable character within the game.